The cut is ninety seconds. The track you want is three and a half minutes. Or the other way round — the piece runs out while the video keeps going. Both are the same problem, and the two obvious fixes (loop it or stretch it) each leave a mark.
| Fix | What it costs |
|---|---|
| Paste the track again to fill the gap | The loop point lands wherever the file happened to end. You hear the same phrase restart, usually mid-bar, and the ear catches the repeat immediately. |
| Time-stretch to length | Anything past a couple of percent changes the character of the track; push further and vocals start to sound artificial. Pitch shifts with it unless the tool compensates, and that compensation has its own artefacts. |
| Fade out early and call it done | Works when the music is only decoration. If it carries the edit, fading out mid-phrase reads as the video giving up. |
A piece of music is already built from blocks — intro, verse, chorus, bridge, outro. You can drop a block, or play one twice, and the result still sounds like a piece of music, because you are working with the seams the composer already put there.
Rule of thumb: change the number of sections, not the speed of the music. Listeners notice speed instantly and structure hardly at all.
One setting to get right before exporting markers: set the frame rate to match your project. Pick the wrong one and every marker lands slightly off.
You can get very close, but rarely on a round second — the edit has to sit on a bar line to stay on the beat, and bar lines seldom fall on whole seconds. In practice, leaving a little slack in the picture edit is cheaper than forcing the number.
No. Changing the length does not change the licence. Whether you can use a piece commercially depends on the rights to that recording, not on how it was edited.
Nothing to install — it runs in the browser.
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